Questions for Kiri:
1. Do you see the fact that "rhetoical celebrations of Sacred Harp singers' diversity only get down to details on the matter of geographic origin" (37) as a positive or negative thing? How strong is the element of racism (or, more specifically, regionalism) during conventions?
2. Can you compare your Sacred Harp group (the one I presume you lead on campus) to the conventions or even smaller, local groups? Please comment on diversity of the attendees, singing/rehearsal practice and goals, and any opinions of the singers on carrying on or altering a tradition.
Discussion Question:
How do you view the "acquired Southern accent" of some Sacred Harp singers? Can you find parallels in other musical or cultural groups where similar behavior occurs?
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